Although it took Paul Morgan a great deal of time to assemble, the synth is built for an improvised performance with very little post-production, he will conjure a soundscape in conversation with my live-drawing performance, essentially using me as a proxy painter to draw the sounds.
This year, my project titled IMPRECISION: The Aesthetics of Failure draws upon work I have produced alongside an essay written for British philosopher Andy Hamilton’s forthcoming publication The Aesthetics of Imperfection. The show will run during the opening month of the 58th Venice Biennale. I will be writing a daily diary of the exhibits, experiences during my time here.
Sometimes called “raising a cone of power” or “drawing down the moon,” in the center of our circle lies the crystallization of our combined energies. It is through taking on the archetypal power of the Goddess that we root into the earth, expanding our auras until they loom large as the Creatrixxx.