A performance with the Hip Hop Yoga Familia Undakova & Ultracultural Others Urban Mystery Skool in front of her piece “Ratchet AMMA’S Ecstatic Birth Blanket.” Puddin’ paintings & spell-casting with the Archangel of Affluenza Or Nah
Improvised gestural forms have a visible sense of spontaneity, balance, symmetry, and flow. They feel very different to self-conscious and perfected ones. The difference is difficult to describe but I think it is the same difference between a self-conscious actor compared with somebody acting with their attention outside of themselves. Drawn marks reveal a state of mind.
As a civilization we have erased the cult of the creatrix, and denied women the role of cultural producers (…). The Capitalist system adds yet another layer of enslavement, with its absurd expectations of productivity, pink taxes, beauty and fashion industries, glass ceiling, gender gap, and in the US, a complete lack of free or affordable childcare, not to mention issues that arise from the economy of huge disparities and production towards destruction of humanitarian values and the environment.
ITINERANT was created in 2010 by interdisciplinary artist Hector Canonge. Since then the festival has introduced, and featured the work of local, national and international emerging and established artists introducing and featuring their work at local museums, art galleries, performance art spaces, and public parks.
As agreed, we perform for one hour in order to enter a meditative zone. I wear a blindfold to help focus on the soundscape and movements and I work on paintings which are on the pavement and also hung along the wall opposite the gallery, where Paul is set up on a table with his equipment.
Although it took Paul Morgan a great deal of time to assemble, the synth is built for an improvised performance with very little post-production, he will conjure a soundscape in conversation with my live-drawing performance, essentially using me as a proxy painter to draw the sounds.
This year, my project titled IMPRECISION: The Aesthetics of Failure draws upon work I have produced alongside an essay written for British philosopher Andy Hamilton’s forthcoming publication The Aesthetics of Imperfection. The show will run during the opening month of the 58th Venice Biennale. I will be writing a daily diary of the exhibits, experiences during my time here.
Sometimes called “raising a cone of power” or “drawing down the moon,” in the center of our circle lies the crystallization of our combined energies. It is through taking on the archetypal power of the Goddess that we root into the earth, expanding our auras until they loom large as the Creatrixxx.